My favourite features are displacement, image styles and spotlights – they give me more creative freedom and dramatically speed up my workflow. “It was very interesting to discover new features of KeyShot 8 and push them to the limits. So far, this is my favorite thing about KeyShot 8.” It’s a practical feature that’s hard to imagine how we lived without. This is something I use a lot in my work. “I tried the new cutaway material and I love it. The displacement feature is a great way to improve the realism of textures and gives us a new layer of possibilities.” “I love the new material geometry nodes in KeyShot 8. “The involvement from hundreds of amazing KeyShot users has helped set the foundation for the new capabilities in KeyShot 8 and for the improvements to come.” What Customers Are Saying “KeyShot 8 is a milestone release that expands the capabilities for KeyShot users and increases stability to both streamline the 3D rendering process and the 3D rendered results,” says Claus Wann Jensen, Co-founder and CEO of Luxion. KeyShot 8 builds on this foundation to expand the features that keep users in the software producing the needed results, removing the dependence on outside software, to create the most accurate materials, textures, and lighting for the most incredible product visuals possible. By providing users with results faster than any software available, KeyShot has become the visualization software designers, engineers, marketing specialists and 3D artists trust to fit seamlessly into their workflow. KeyShot brings real-time speed in the most easy-to-use interface designed for an efficient workflow, with the most accurate materials and advanced lighting capabilities. Image: Esben Oxholm.Īs more companies rely on 3D visualization to make real-time design decisions, KeyShot continues to bring advanced CG solutions to Designers and Engineers. The new displacement mapping feature combined with scattering enables complex appearances and a new level of realism to real-time ray tracing. Together these features represent capabilities that streamline the workflow, producing more flow and less work, while eliminating the dependence on switching between apps to create the detail and appearance needed. K eyShot 8 adds advanced technology and features such as displacement mapping, materials with embedded flakes and bubbles, volumetric materials including volume caustics, liquid interfaces, interactive cutaways, interactive image color and intensity curve adjustments, material ways for advanced product configurations, and much more. – Intel or AMD 64 bit processor with SSE4.Tustin, California, October 2nd, 2018 – Luxion, a leading developer of advanced rendering and lighting technology and maker of KeyShot®, the first real-time ray-tracing and global illumination program for 3D rendering and animation, today announced the release of KeyShot 8, introducing new tools and enhancements that provide the advanced features and flexibility 3D professionals need to take their visuals while delivering on KeyShot market leading speed and quality. To get started, here are the minimum recommendations and system requirements for the latest version of KeyShot. KeyShot is designed to run fast on the most basic hardware configurations or the most powerful of systems to take full advantage of all CPU cores available and scale performance linearly. Every change from material and lighting to cameras and animation is seen instantly as you work.įrom still image and animations to interactive web and mobile content, KeyShot’s ability to create the highest quality visuals possible ensures you are using the best tool for all your visualization needs. KeyShot is real-time rendering to the core. KeyShot provides advanced lighting capabilities that create the most accurate lighting for simple studio shots or the most complex interior lighting. KeyShot gives you the power and the choice to utilize either CPU or NVIDIA GPUs for rendering and the capability to scale linearly for unmatched performance. Use a preset, an exclusive partner material or create your own. KeyShot materials go beyond physical appearance providing scientifically accurate properties for the highest quality visuals. KeyShot brings visual speed and agility to the entire product development process, with the widest 3D file format support for a fluid workflow from concept to final product. KeyShot is extremely easy to learn and use to achieve photographic results in minutes through a simple, workflow-based interface with all the advanced capabilities for the most experienced 3D render professional. So, what is KeyShot? And what does it help you do? It allows you to apply materials and lighting fast and provides the most accurate materials appearances and real-world lighting, all in a powerful interface that provides advanced capabilities and the ability to see all your changes in real-time. KeyShot is designed to make 3D rendering and animation easy.
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However, it includes two sequential 35-cycle PCRs with a total number of 70 cycles. One-step "quick assemble" cloning does not need purification of PCR products. Similarly, overlap extension PCR cloning also requires purification of the first round PCR products (vector and insert) and an additional round overlap extension PCR, which usually generates multiple bands, for producing linked vector and insert. However, the new ligation independent cloning still requires purification of the digested vector and PCR-amplified insert, and the purchase of purification and cloning kits. The latest ligation-independent cloning, such as CloneEZ and In-Fusion cloning kits, uses some DNA polymerase to generate sticky ends in the vector and insert without specific sequence requirement, except for restriction sites to linearize the vector. Gateway recombinational cloning uses site-specific recombination to transfer cDNAs between donor and destination vectors, which requires additional specific sequences for recombination. This technique requires specific sequences to create 15-base overhangs. The early ligation independent cloning uses the 3'-exonucnease activity of T4 DNA polymerase to create 15-base 5'overhangs in the ends of insert and complementary 5' overhangs in the ends of vector. The limitations of this method are low fidelity of Taq DNA polymerase causing unwanted mutations and requirement of subcloning into the final target vector with restriction digestion and ligation. The PCR product is directly cloned into a TA cloning vector with a complementary 3'-T overhang in both ends without restriction digestion. For example, TA cloning uses regular Taq DNA polymerase to add a single 3'-A overhang to the ends of the PCR product. However, each of these techniques has its own limitations. These methods include TA cloning, ligation independent cloning with T4 DNA polymerase, GATEWAY recombinational cloning, and more recent sequence- and ligation-independent cloning kits, such as CloneEZ (GenScript USA Inc., Piscataway, NJ, USA), one step cloning, and overlap extension PCR cloning. To overcome the difficulties encountered in the original cloning method, many other alternative cloning methods have been developed over the last two decades. This multi-step process also makes it difficult or complicated for troubleshooting. Although this is a widely used method, it involves multiple steps and is time consuming. Traditionally, molecular cloning joins insert and vector by T4 DNA ligase after restriction digestion to excise insert from a donor vector or from a PCR product with restriction enzyme recognition sites added to the ends. Molecular cloning is one of the most widely used techniques in biomedical research laboratories. Our FastCloning technique provides a very simple, effective, reliable, and versatile tool for molecular cloning, chimera construction, insertion of any DNA sequences of interest and also for multiple mutations in a short stretch of a cDNA. Finally, since this cloning method is also sequence independent, we demonstrated that it can be used for chimera construction, insertion, and multiple mutations spanning a stretch of DNA up to 120 bp. In addition, this method is highly effective and reproducible. Furthermore, with reduced number of PCR cycles, it also decreases the chance of random mutations. Second, there is no need of any cloning kit or specialized enzyme for cloning. First, it does not need gel purification of the PCR product or linearized vector. This technique has many advantages over other cloning methods. After DpnI digestion of the mixture of the amplified vector and insert to eliminate the DNA templates used in PCR reactions, the mixture is directly transformed into competent E. The amplified insert has the ends with ~16-base overlapping with the ends of the amplified vector. With this method, the vector and insert are PCR amplified separately, with only 18 cycles, using a high fidelity DNA polymerase. Here we report a highly simplified, reliable, and efficient PCR-based cloning technique to insert any DNA fragment into a plasmid vector or into a gene (cDNA) in a vector at any desired position. Although a variety of methods and expensive kits are available, molecular cloning can be a time-consuming and frustrating process. Returns with original receipt will be refunded in the original form of payment, cash and check refunds over $100 will be issued as a company check (may take 14 business days from time of request). Returns with a gift receipt will be refunded in the form of a Merchandise Credit for the amount indicated on the gift receipt. An original receipt or gift receipt is required for all returns and exchanges. Within 30 days, you may return most items for a refund of the merchandise value. Upon receipt, please inspect your purchase and notify us of any damage we will arrange for a prompt replacement. Attention to design, materials, safety and construction are our priority. Return PolicyĪt Williams Sonoma, we take great pride in the quality and craftsmanship of our products. The shipping rate varies depending on your order total and shipping destination. Please allow one to two weeks for delivery. This item will be shipped directly from the manufacturer and is not eligible for rush shipping. Folds For Easy, Compact Storage: The lightweight, low-profile design looks great on your counter-top and accommodates a surprisingly large number of dishes when in use when not in use, UDry conveniently folds up for compact storage in a drawer or cupboard leaving your counter-top clutter-free.It has 19 slats for holding large and small dishes and is dishwasher safe (top rack only) for easy cleaning Removable Dish Rack: Versatile and durable, the molded (bpa-free) dish rack can be secured to the middle or side of the microfiber mat to accommodate a wide assortment of dishes.Super-Absorbent Microfiber Mat: The perfect blend of form and function, UDry's microfiber mat absorbs water from drying dishes while at the same time protecting your counter-top from scratches and water buildup.Dish Drying Rack & Mat In One: Umbra’s UDry combines a dish drying rack, utensil caddy, stemware holder and dish drying mat in one so you can neatly stack and organize your dishes, glasses, cutlery, pots, pans and more, allowing them to air-dry while you get on with your day.UDry Dish Rack with Drying Mat by Umbra - Toss the tea towel and ditch the dishcloth because UDry does so much more and it looks good while doing it! Based on our hit kitchen products UDry and UDry Mini, Umbra has expanded the UDry collection with the UDry Dish Rack with Drying Mat. The alternative is to painstakingly pile your dishes ever so carefully onto a soaking wet dishcloth or an old tea towel. If that wasn't bad enough, they clutter up your kitchen and take up valuable counter space which can be a real problem especially in smaller, confined living spaces. The problem is they're often big and bulky not to mention a bit of an eyesore. A dish drying rack is a kitchen essential. Super Rock Crust, meanwhile, offers a genuinely clever use of a 3D environment, using a simple sphere studded with deadly cubes to turn a wave-based time-challenge into a panicky game of hide-and-seek. Deflector is a very late-game level that makes the best of a new foe that bounces back and forth off the walls by sticking dozens of them into a small space with lots of spinning pinball flippers. The further you go, the better Lucid gets at playing with the bits and pieces as its disposal, in fact. What new enemies there are tend to slide neatly into the ecology, however.) (Lucid's generally happy to leave Bizarre's existing cast of flockers and baiters in place, focusing its energy on landscapes that evolve over time or are riddled with shifting obstacles. Elsewhere, there's a glorious blend of Pacifism, Frogger and Every Extend, which has you dodging streams of fast-moving enemies and touching off mines laid by a weird little amoeba. My favourite level is probably Infected, in which geometrical shapes bubble and multiply across a confined Petri dish arena leaving you fighting for space. Regardless of this, when the game's more gimmicky ideas work, Lucid often has something special on its hands. The shift to 3D arenas looks striking, but it isn't particularly tricky to get your head around: Super Stardust has done some of this stuff before, and the original Geo Wars always offered a playing field that was bigger than the screen anyway, getting you used to the idea of limited sight-lines. Alongside levels that borrow existing ideas like King and Pacifism, there are stages where nasty little Zambonis rumble around incrementally painting the landscape, and stages that get narrower and narrower as you play. Many of them have their own conceits, too. Some of them come with bespoke arenas, warping the flat plains of the classic games into 3D peanuts and pitcher's mounds and cough drops. The main offering here is an adventure suite built of dozens of unlockable stages. With a campaign to fill, Lucid's opted for gimmicks rather than modes, and a lot of the time this actually works better than you might expect. Bosses are a nice addition, folding nicely into the wave-based structure. Lucid captures Geo Wars' sense of movement well - that feeling of gliding through thick air. Retro Evolved 2 kept the no-mess high-score mentality in place, but it twisted the central mechanics of moving and blasting into a variety of clever new modes. This being video games, Bizarre itself came back for a second swing, and it's interesting to see how the developers handled that. You can't really improve on that, just as you can't really improve on the template that Bizarre Creations laid down, taking the wonderfully jittery twin-stick shooting of Robotron and rendering it smooth and cool and gleamingly abstract. Price and availabilityĮuclid pointed out the major snag 2000 years ago, in fact, when he defined a line (I had to look this quote up) as "breadthless length". New developer Lucid's take on the series isn't slower - it's just a little less vital. With Bizarre Creations' Geometry Wars games there's traditionally never enough time to notice anything, let alone how brilliantly the systems slot together to entrap you. The old stuff standing out is worrying enough in itself, but the deeper issue is that you're noticing it at all. Not necessarily the new additions, of which there are plenty, but the old stuff, like the way the collectable Geoms powering your multiplier encourage you to lurk dangerously close to your prey. An early indicator that there might be slight conceptual problems with Geometry Wars 3: Dimensions is that you start to notice how clever everything is. Running a 10 gauge wire off of a 20 Amp circuit isn’t going to increase your amperage, as you’ll still have 20 amps regardless. Most residential wiring is 14 and 12 gauge which can run 15 and 20 Amps respectively. Probably not important if you’re alone, but with multiple people running equipment, the circuit is vulnerable to overload, which will trip the breaker. If you’re going to run a workshop on a single circuit, 30 Amps may seem like a lot, until you have multiple tools running on it.Ī table saw alone can run up to 16 amps. When running wire, it’s important to understand the level of voltage-drop according to the length of the wire and the amps you’re running through it. For 10 gauge, copper wires, running 15 amps, the voltage drop is a maximum of 3% at 100’. Voltage-drop depends on the amperage, distance, and gauge of the wire. Read also: How Many Amps Can a 14 Gauge Wire Handle? (Best Tips) What’s The Voltage-Drop On 10 Gauge Copper Wire? Installing a larger gauge could be problematic trying to get the side screws clamped down correctly. They often are designed only to handle the right gauge wire for the load they are built for. It will save an incremental amount of money in the long term since there’s less resistance with a thicker wire running the same amps as a thinner gauge wire would.Īnother problem may be the side-screws on receptacles. However, running 10 gauge wire from a 12 gauge circuit breaker would be far more expensive in the short term. Most circuits can handle one upsize because aluminum wiring is also a thing, with aluminum being a larger gauge than copper. What’s The Difference In Copper And AluminumĬan You Use 10 Gauge Wire For A 20 Amp Circuit?Ī 20 Amp circuit can run a 10 gauge wire, so long as it can take the upsize.What’s The Voltage-Drop On 10 Gauge Copper Wire?.Can You Use 10 Gauge Wire For A 20 Amp Circuit?. If you will be servicing or maintaining your tractor, we highly recommend that you have a manual to refer to. Tractor Manual Search - Yesterday's Tractor Co. Our experienced staff will help meet all your parts needs. We specialize in rebuilt cylinder heads and stock heads for most tractor and combine makes. We also have a great inventory of used, new and rebuilt parts for older tractors. We carry an extensive inventory of used, new and rebuilt late model tractor, combine, swather and implement parts. We pride ourselves on being able to quickly supply our customers in the Red River Valley with a wide variety of specialty combine parts. We're located in west central edge of Minnesota, between Marshall, MN and Brookings, South Dakota. Hendricks Tractor Parts and Salvage Yard - your source for new, rebuilt and used tractor, combine and ag parts. “As a community, we’ve started to realize that it’s important to study human-robot interaction in public environments. “In today’s world, you can imagine that robots will be out there - some already are, with Roombas and robots in some factories and warehouses,” said Vazquez. Photography seemed to Vazquez an ideal intersection to study human-machine interactions in general - which is all part of the overall mission in Vazquez’s laboratory. These include a GIF of a dog sticking its head outside a car window at high speeds, audio samples of children laughing and goats bleating, and a meme of a man making a face at the camera with the quote “If Monday had a face… This would be it.” And if all else fails, there’s the classic “Say cheese!” The big picture student in Vazquez’s lab, programmed Shutter to have a wide range of funniness. Humor is, of course, subjective, and one person’s comedy gold could leave another audience cold. We’re not really going after what the best joke is, but how we can use this humor to elicit smiles and use that to take better pictures. “We’ve been trying different kinds of humor that the robot photographer can use. “That made us interested in how to make the robot humorous,” she said. In talking to human photographers, a common theme that came up was that laughter is a great way to make people comfortable in front of the camera. “Now that we have a social agent that can engage people and change what they’re doing, we can ask, ‘What opportunities does that open for taking photos?’” Marynel Vasquez, assistant professor of computer science, and undergraduate student Annie Gao test the next generation of Shutter. “We’re looking at what the robot photographer can do to get more positive reactions from people,” said Vazquez, assistant professor of computer science. Vazquez and her team are focusing on the special ability of good photographers to spark that instant of joy and capture it in a photo. When people in a photo look glum or expressionless, all the compositional details won’t save it. But as professional photographers will tell you, that’s only half the job. Most work in robot photography has homed in on the technical side of things - focus, lighting, placement of subject. Another is the corridor between Becton and Dunham Labs, a spot teeming with students and faculty as they pass to classes. One is in the John Klingenstein Lab at the Center for Engineering Innovation & Design. Vazquez has a few places she’d like to station it, all of which have good foot traffic. Built with a stylish retro-futuristic look, including “eyes” on a touch screen programmed to interact with people, the robot photographer - they call it Shutter - is designed to catch the attention of passers-by. She and her research team have built a robot designed to negotiate the quick but very complex interactions between photographer and subject - that is, putting someone at ease and drawing out a genuine smile, all in a matter of seconds. There are technical details like composition and lighting, but there’s also a matter of connecting emotionally with the photo’s subjects. Good portrait photography is as much art as it is science. This article originally appeared in Yale Engineering Magazine. No Salt Added Chickpeas : You can use canned chickpeas (I’d highly recommend a low sodium or no salt version), or you can make your own chickpeas from scratch in the Instant Pot.If you aren’t gluten free, then you can use normal macaroni, whole wheat, or a veggie pasta. Macaroni Noodles: to make this gluten free, these GF macaroni pasta noodles work perfect in this recipe.Get $10 off your first box by clicking here! We get Misfit boxes every other week and love picking out favorite produce for delivery. I cook with fresh produce from my garden and from Misfits Market – they sell fantastic fruit, vegetables, & pantry staples at a discounted price. It takes only 20 minutes to cook, so you can enjoy extra time to prep sides or a salad.īrowse all our pasta recipes here ! What’s In This Plant Based Macaroni Bean Salad Recipe? It makes a great BBQ pasta side dish as well – a simple vegetarian recipe to serve with a salad. It’s perfect for a hearty side for the family, and also great to make for company if you are having guests for dinner. This bean pasta salad is the tastiest, freshest side dish recipe. This 3 bean macaroni salad is a fun twist on two classic dishes. The creamy dressing gets a kick from apple cider vinegar, and the salad is loaded with crisp and crunchy veggies. Put them together… and you have a fun and fresh side dish recipe that’s both hearty and satisfying. This three bean pasta salad is a combination of two of my favorite summer salads: creamy macaroni salad and tangy three bean salad. I’m always looking for new ways to enjoy fun summer side dishes with easy plant based ingredients. Serve alongside my creamy Greek Yogurt coleslaw, baked beans, and corn on the cob! This recipe is the perfect combination of creamy macaroni salad and three bean salad for a bright and tangy side dish you’ll love. This pasta bean salad recipe is loaded with fresh vegetables, hearty beans, and dressed in a sweet and tangy dressing! It’s a great vegetarian and high protein side dish for your next summer BBQ, party, or potluck. Simply compare the diagonal size of a full-frame 35mm sensor to the diagonal size of another image sensor. The actual calculation to figure out crop factor relates to the surface area of the sensor. That extra light captured by pixels on an image sensor with more surface area translates to better performance in low light scenarios and less digital noise. When talking about low light performance in cameras, it is the sensor that makes good performance possible. What this means to us is that each pixel is able to capture more light information, meaning better color depth for precision of color captured, greater dynamic range or amount of light intensity, meaning better and more accurate definition in light and dark areas of an image, and a much cleaner image. This is referred to as having a lower pixel density, as the same number of pixels have a larger area to occupy on an image sensor. As a result, those 18 million pixels are considerably larger on the DSLR chip. While an 18-megapixel point and shoot may have the same number of pixels as an 18-megapixel DSLR, the DSLR has a much bigger sensor. Sony FDR-AX1 and GoPro HERO3+ Black Edition are two 4K cameras with different size sensors, even though each one can do 4K video. When interpreted by signal processors and other fancy doohickeys in the camera, these pixels are combined in order to create a digital image. The light data contained in this file tells a story of brightness and color for each pixel within the image. How that process works varies slightly by sensor type and the camera’s computing bits, but put simply the sensor’s job is to take the light or photons that reach it and convert that light information into an image file containing data on color, tone, shadow and highlight. In digital photography a lens allows light to pass through to create the image of a scene, but instead of this light hitting a piece of film to later be chemically processed, an image sensor takes that light and converts it to a digital format which the camera can wrangle into a photo. With a film camera, the image stops at the sensor, but still requires developing and finishing. Inside a camera, an image goes from lens to sensor, and ultimately, a card. Only the technology used to get the job done has. The principles behind taking photos, and therefore shooting video, have not changed that dramatically. To put it simply, an image sensor is to a digital camera what film is to an analog camera. To get a better idea of what makes a bigger image sensor better – or not better, we will take a step back to look at what an image sensor is and what it does. While the sensors are performing the same function at the same resolution for these different cameras, their sensors, as well as an array of supporting hardware and software, are vastly different. Well, a few things, but basically in each of these devices there is an image sensor capable of capturing pictures 3840×2160 pixels or better in resolution. Maybe not at the same frame rate as the Blackmagic Production Camera 4K or a RED EPIC, but the frame size is the same. That new GoPro HERO3: Black Edition camera we reviewed can shoot 4K as well. The Blackmagic Design camera is a breakthrough device for many of us. OK, well, it’s not exactly cheap, but when compared with the incredible RED EPIC-M DRAGON announced at the same show, $29,000 for a brain alone, likely north of $50k when fully decked out. For instance, the introduction of the $4,000 Blackmagic Production Camera 4K made truly high performance 4K video accessible to smaller studios, enthusiasts as well as to budget-minded professionals. So I poked around a bit and found the the current hip timer these days seems to be this one: I would have bought another of the same, but (a) they don't seem to sell that model anymore, and (b) I wasn't in the mood to break out the superglue. This made the beep sound kind of funny (must have been tugging on the speaker) but at least it didn't fall off the fridge anymore. The only problem with it was the weak magnet, so I removed it and super-glued on a big magnet from the hardware store. It was a pretty good timer-big digits, loud beeps. Our recently deceased timer was the West Bend Clock/Double Timer, which was the Cook's Illustrated editor's choice last time they reviewed timers, which was 1996. Some could be set to sil.Have we ever had a thread on timers before? Ours just died, and while I already chose a replacement, I figured a thread was in order anyway. Adjustable Volume Levels: Many models had two or more volume settings, so you can accommodate your personal preferences or adjust to different noise levels in your kitchen.Many of the multiple-event timers also had unique patterns of beeps and/or visual alerts and indications on their screens that helped us differentiate between the events. (Previous models we tested required scrolling, which we found untenable.) One model featured separate “set” and “start/stop” buttons for each event. The screens of the dual, triple, and quad timers we tested displayed each of their events simultaneously. Clear Differentiation Between Events: When using a multiple-event timer, you don’t want to accidentally clear an active event while adjusting another.We also preferred screens with big, easy-to-read digits. Tilted Display with Large Digits: Timers with tilted displays were the easiest to read the best models were wedge-shaped or had kickstands.Accuracy: Fortunately, you don’t have to look very hard to find an accurate timer.It’s also common for timers to have adjustable volume settings (sometimes including a silent setting) and flashing lights so that there’s a visual alert, too. Most can count up (like a stopwatch) in addition to down. Many are “multiple-event,” which means they can track multiple times simultaneously. The simplest digital models track a single set time and beep when that time is up. We prefer digital models to old-fashioned dial-face timers because they tend to be more precise, easier to set, and easier to read. A kitchen timer is also often easier to set than the timers on appliances, and you don’t have to worry about dirtying your phone with food. Unlike most of the alternatives, a timer can be carried into another room so that it’s always visible and within earshot. You can use the timers on your smartphone, smart speaker, oven, or microwave-but there are good reasons to have a dedicated kitchen timer. For cooks who want the ability to track multiple things with one timer, we recommend the OXO Good Grips Triple Timer. The ThermoWorks Extra Big & Loud Timer is our top pick for cooks who want to track only one thing at a time. They often have extra features (such as stopwatch functions and memory settings) or adjustable settings to increase their usefulness. The best kitchen timers are simple and easy to read and hear, with clearly labeled buttons, big digital screens, and alerts that are audible and/or visible from across the room. |
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